"Oh" he said.
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| Upton Farm Butternut Tree |
"A real drawing!"
Saturday, April 27, 2013
It's real
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, April 21, 2013
Shadows and shading
Light, shadow; light, dark and shade.
Contrasts and choices made.
Spare the ink, spoil the drawing.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, April 14, 2013
Time's Gift
Reflection, meditation, creation: three necessities for the human spirit. Time slips from our grasp in a myriad of activities and errands, yet there is a longing to save time, to store it, to savour it -- to use it wisely.
Seeking time's riches on a shore gasping for perspective, for insight, for inspiration before the froth stirred by the undulating sea washes our traces away.
Seeking time's riches on a shore gasping for perspective, for insight, for inspiration before the froth stirred by the undulating sea washes our traces away.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Monday, April 8, 2013
Migrating to the day
Migration leaves things unfinished. The focus leaves, the concentration is broken, the train of thought gets shunted to the side.
Should I welcome the break?
,
Time's gift is the chance to stand back; to look, to find the centre, to find the edges, to stop before it overwhelms the page.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, March 31, 2013
Early morning
Meditation. An act of creation. Early morning meditations flow downward, flow upward and flow from the side. They move in all directions.
A migration to the day.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, March 24, 2013
Taking Flight
Hollow bones are needed. Feathers too, lightweight but strong. Feathers conditioned with daily grooming. The preening of plumage to and fro in frenzied but orderly motions takes on such importance. For what purpose do these daily duties prepare them?
Taking flight to other climates, other springs, they return to us.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, March 16, 2013
Large Trees
Large trees grow in small towns with space around them. In small towns, trees grow tall and large in branch and limb. They age with beauty; they are rich in time.
They pull up and push down -- reaching for the sky and seeking the earth.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
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