Louise Mould Fine Art: designs

Showing posts with label designs. Show all posts

Showing posts with label designs. Show all posts

Monday, January 31, 2022

Drawing in the Month of January

Drawing is an exercise in imagination -- allowing the mind to wander, to become aware, to take note of the road signs and keep going.

Ink 21-January-2022 (8 x 5.5)

Sometimes the direction along the road call for correction before continuing and once the route has been re-plotted you are free to wander again.

Ink 17-January-2022 (8 x 5.5)

How do you know you are there?

Ink 15-January-2022 (8 x 5.5)

Sometimes you end up at the finish line,

Ink 23-January-2022 (8 x 5.5)

sometimes you end up in a labyrinth.

Ink 24-January-2022 (8 x 5.5)

The excesses of December warrant black and white austerity.

Ink 27-January-2022 (8 x 5.5)

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, January 2, 2021

New Growth

Growth is not always in the springtime. This year has ushered out the old one with expressions of good riddance. Hopefully we have learned the lessons taught to us in 2020 in a year so fraught with difficulties and sorrow. We hope that 2021 will, indeed, be a better year.

Mixed-media paper collage with ink (6"x4")

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Wednesday, September 16, 2020

Rendition

It is another interpretation in a long line of interpretations. There is drama.

Mixed-media (ink and paper on paper 6" x 4")

And for some of us, there is mood!

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Tuesday, September 1, 2020

Novel

Something new and unknown. Unprecedented.

Mixed-media (6" x 4")

Unprecedented stimulus, unprecedented challenges, unprecedented commotions, all signs of a fresh calamity every day.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Monday, July 20, 2020

Fault Lines

Stress, tension, and fear open up fault lines revealing us for what we are, or what we have become, or perhaps, where we are going.

Mixed-media (2020 July 13, 6" x 4")

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Sunday, July 5, 2020

Wholeness

Making the part whole again.

Mixed-media (6" x 4")

Recreated.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, June 13, 2020

A Constituted Moment?

It's not what it started out to be, it's not what its original shape intended. Cut from its source, it lacks completion.

Mixed-media (6" x 4", 13 May 2020)

Recreation is possible.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Sunday, June 7, 2020

Refulgence

Dispelling gloominess we seek light and we seek those things that cast off light.

mixed-media (paper and ink, 6" x 4")

With light everything changes.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, May 16, 2020

Raising up the World

Raising up the world, raising it high to accommodate and celebrate our diversity and our essential unity.

Mixed-media paper collage with ink (24 January, 2020 6" x 4")

Catch the breezes of positivity lifting us upwards.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Sunday, March 8, 2020

A Dance

A dance frozen in time.

Mixed-media, 29 January 2020 (6" x 4")

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Friday, February 14, 2020

Raising Up

Raising up the world.

Mixed-Media paper and ink (6" x 4")

Original available -- Print available

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

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