They are sources and mouths, a cut above the usual; they are banks and valleys. Old rivers that wind and flow towards the sea are captive within their courses.
Channels.
Sunday, February 22, 2015
Patterns of Green and Blue
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, February 8, 2015
Once I Lived on a Mountain -- reprised
Once I lived on a mountain. It is an ancient mountain, a historic mountain, a significant mountain. Held to be sacred, still it is not spared modern development. Cities and towns grow all along its length.
 |
| Veils of Haifa, 1999 (canvas) |
Parched for water half the year, yet it is green in spots and undeveloped still -- in spots.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, February 1, 2015
The White Pine -- Upton Farmlands
It is tall; the tallest tree there. It marks a high point; it marks that point where the view of the estuary appears.
%2B.jpg) |
| Acrylic on paper (30" x 22") |
It marks the wind blowing in an ever changing world of seasonal weather and land ownership -- it stands as a beacon against all the odds.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Subscribe to:
Posts (Atom)
Archetype or Prototype?
Every now and again I take up graphite. There is something so satisfying about pencil on paper. HB2, HB4, HB5. HB6, and HB8. Recently I h...
.jpg)
-
Swirling about on the page, moving forward in a big hurry. Warriors they are - each with a fancy weapon. Papiers colles with ink (6... -
There is an exhibit and book launch this week (Thursday 23 August 2012) in Edmonton, Alberta, at the Winspear Centre. It is called " Ar... -
Cold, its colours are blue, mauve, silver and the other blue -- not the warm one of tropical waters. It descends, it settles in for the lon...