A blazing sky - indicating a sunset or wildfire?
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LMould, 2024, acrylic on canvas, 16" x 20"
For more about my work please visit my website
Louise Mould website
Showing posts with label shores. Show all posts
Showing posts with label shores. Show all posts
Tuesday, June 4, 2024
A Remote Allusion
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Monday, September 11, 2023
Ambiguous Reality
All that is real, or the appearance of real. All that is imaginary and the appearance of the imagination.
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L.Mould (acrylic on canvas, 24" x 20")
Something from nothing?
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Monday, April 17, 2023
The Swiftly Changing Shore
All can transition, in one movement, to a new epoch, the "before" and the "after".
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Timing is everything.
Louise Mould - Artists in Canada
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Wednesday, December 14, 2022
The Shore of Existence
Within a few hours things can change, sometimes forever. Sometimes never to go back to what once was.
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(2022, acrylic on canvas, 24" x 20)
Perhaps this represents the moment before.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Tuesday, August 23, 2022
The Shore of Understanding
The clouds dissipate at the end of the day.
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(acrylic on canvas, 30" x 24")
The world is washed clean.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Monday, August 8, 2022
Headland
Sandstone soft. Striking in colour.
Wind, in effects.
Brilliant light of summer.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Monday, February 14, 2022
The Saltwater Marsh
Flooded by tides in an eternal ebb and flow, the coastal wetlands are the harbinger of health – the unseen activity of marine life.
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L Mould,
2022 (acrylic on canvas 18” x 22”)
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Thursday, November 14, 2019
Convergence, the canvas
Convergence and perception with a touch of concentration; cold water sinking in its density.
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| 2019 (canvas 22" x 28") |
Ocean currents meet with visible air-flows - perhaps it is a false start.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, August 11, 2019
It's all about horizons
The horizon line -- the one that separates the earth from the sky is not real. It is not a real line that is.
We move towards it, and it retreats before our eyes. We capture it much the way we would capture the wind -- in the offing, always just about to happen.
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| The Playful Dunes: Clear Horizon, 2018 (24" x 24" canvas) |
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| The Playful Dunes: Shifting Horizons, 2018 (12" x 16" canvas) |
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| The Playful Dunes, a study, 2016 (15" x 11" paper) |
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, August 18, 2018
Sailing to the Shores of Generosity: An Exhibit - opening Sunday 26 August 2-4 p.m.
An exhibit of mixed media works by Louise
Mould will be held at the Robertson Library, University of Prince Edward Island,
starting August 26th and continuing through September 21, 2018.
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| Sailing (7" x 5") |
Louise has been
working in this medium since 2000. These are small works on paper which are
mostly abstracted designs with collage and ink. This exhibit brings together
works composed on the theme of sailing. These convey reflections of the
interaction of sailing on the sea often portraying the romance of the age of
wind and sail.
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| Sailing: Two Moons (6"x4") |
Louise
Mould is a Canadian painter and her work can be seen in The Dunes Studio
Gallery in Brackley Beach, Ellen’s Creek Gallery in Charlottetown, and at The
Prince Edward Island Preserve Co. in New Glasgow, PEI. Her paintings are works
of fiction and abstraction yet retain elements of recognition of place. She has
had numerous solo shows and has exhibited in both juried and group shows. She
is an alumni of the University of Prince Edward Island and of McGill University
in Montreal, and also studied at the Université du Québec à Trois Rivières.
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| Sailing in a Crowd (6"x4") |
She currently lives in Charlottetown.
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| The Shores of Generosity (8"x6") |
Contact:
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
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