There are angular complexities stabilizing the flow through our complicated nature.
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| Gold Leaf (papiers colles 8" x 5.5") |
Our narratives tell these tales. Some are taller than others.
Showing posts with label sketchbooks. Show all posts
Showing posts with label sketchbooks. Show all posts
Sunday, December 3, 2017
Gold Leaf
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, January 26, 2014
Symmetry: Stage Left, Page Eight
The left starts it off. I looked at it twice -- there was something about the lines. The shredder was not fed that day. Something about the lines said, "there is more to this -- just look a little deeper".
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| The Doodle |
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| The Drawing |
Once tagged, it became.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, January 12, 2014
Page 7 - Skipping Ahead
Faithful to the original doodle, the drawing takes the full space that the blank page offers.
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| The Doodle |
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| The Drawing |
Breaking free of margins is sometimes just the best!
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Wednesday, January 1, 2014
Fribble: Part 5 of a Humble Tribute to the Doodle
Fribble -- related to doodling, to trifling and puttering around? Who knew?
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| The Doodle |
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| The Drawing |
Definitely "fribbolous".
Infinitely frivolous!
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Friday, December 27, 2013
Scraps of Paper: part 4 of a Humble Tribute to the Doodle
Casual scribbles - aimless in purpose, produced without thinking.
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| The Doodle |
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| The Drawing |
Scraps of an idea found on scraps of paper.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Wednesday, December 18, 2013
Minor works
Marginalia - in school notebooks and on agendas.
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| The Doodle |
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| The Drawing |
Unfocused, unconscious and simple eventually evolves.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, December 14, 2013
Hierarchy in the Drawing World
Continuing with the theme of the Sketchbook Project 2014, a traveling library of artist's sketchbooks, at the Brooklyn, NY Art Library, I offer page 2 of "One Step Up from a Doodle" part of my tribute to the humble doodle.
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| The Doodle |
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| The Drawing |
There is also rank in the drawing world.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, December 8, 2013
One Step Up From a Doodle
Last May I mentioned sketchbooks and the Brooklyn, N.Y. Art Library's collection of the Sketchbooks of 2011, 2012 and 2013. (See post of May 1, 2013 Sketchbooks and real drawings). This year I signed up again for the Sketchbook Project 2014 and have called my book "One Step Up from a Doodle" as a tribute to the humble doodle -- that source of solace and ideas. I haven't finished the sketchbook yet but wanted to start it off here with the original doodle and the drawing that came from it.
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| The Doodle |
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| The Drawing |
There is a hierarchy in the drawing world.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, May 11, 2013
Sketchbooks and real drawings
I am a purchaser of sketchbooks. Can't resist, must have, do have. Many. Never completed, I left them for another day. Then one day I bought another sketchbook, brought it home, looked at the pile of unfinished ones and brought myself to account. "No more sketchbooks until you finish the old ones" I told myself. This was very hard. This was difficult. This was like not scratching an itch! BUT, it worked. I still buy sketchbooks but now I finish them.
Then a friend sent me the link to a traveling sketchbook project "Sketchbook Project 2011" sponsored by the Brooklyn Art Library, NY. Such a great idea! Sign up (and pay for) a sketchbook, one is sent to you barcoded with your name and the theme you chose. Complete it by a certain date and mail it back to participate in a traveling exhibit of thousands of sketchbooks that travel all over the USA and a few cities in Canada.
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| Completed! |
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| Incomplete |
Here are links to my three:
2012 "Travel With Me"
2011 "Secret Codes"
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, April 21, 2013
Shadows and shading
Light, shadow; light, dark and shade.
Contrasts and choices made.
Spare the ink, spoil the drawing.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, June 9, 2012
Where Was I?
The possibilities of form and movement seem endless.
Endlessly fascinating and endlessly different.
Each one with its own story.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
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