Louise Mould Fine Art

Thursday, June 20, 2019

Centre or Centered?

Centre of the Universe or centered on the Universe - small change makes a large difference.


LMould 2019-May-28 (10x8)

It is an all absorbing process.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, May 25, 2019

Flowing Confluence

One point; a coming together, a gathering and then dispersal.

2014-19 canvas, 24" x 20

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Friday, April 19, 2019

Potential, and Potentiality.

The blank canvas, the white page, the empty walls all shout "Potential"

Drawing, LMould 2019-February-7 (ink 5.5 x 4.25)

I shout back, "Challenge, nothing more".

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Sunday, April 14, 2019

Message in a Bottle

Drawing LMould 2019-March-4 (ink 8x2.5)

Drawing LMould 2019-March-5 (ink 8x2.5)

Two variant expressions floating in their own spaces. The center holds.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, March 16, 2019

Hesitation

Your pen cannot hesitate -- unless you make a mistake that works in your favour.

Mixed-media (6" x 4")

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Tuesday, March 12, 2019

Tension in the Lines: Control is an Illusion

I pursue the abstracted volumes of control.

Ink drawing (5.5"x4.25")

But control is an illusion, I'm sure of it.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, March 2, 2019

Warrior in Motion

A warrior engaged in struggle in an age of grace and finesse.

Mixed-media, paper and ink (6" x 4")

We all fight battles of one sort or another.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

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