Louise Mould Fine Art

Monday, July 20, 2020

Fault Lines

Stress, tension, and fear open up fault lines revealing us for what we are, or what we have become, or perhaps, where we are going.

Mixed-media (2020 July 13, 6" x 4")

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Sunday, July 5, 2020

Wholeness

Making the part whole again.

Mixed-media (6" x 4")

Recreated.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Sunday, June 28, 2020

Masks and masking

That they refuse to wear a mask unveils their essence.

2010 Half Shadows (paper 10" x7")

2010 Half Shadows in Mauve (paper 10" x7")

2010 Mask: Half Shadows (paper 10" x7")

A shadowy world of half truths and outright lies.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, June 13, 2020

A Constituted Moment?

It's not what it started out to be, it's not what its original shape intended. Cut from its source, it lacks completion.

Mixed-media (6" x 4", 13 May 2020)

Recreation is possible.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Sunday, June 7, 2020

Refulgence

Dispelling gloominess we seek light and we seek those things that cast off light.

mixed-media (paper and ink, 6" x 4")

With light everything changes.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Saturday, May 16, 2020

Raising up the World

Raising up the world, raising it high to accommodate and celebrate our diversity and our essential unity.

Mixed-media paper collage with ink (24 January, 2020 6" x 4")

Catch the breezes of positivity lifting us upwards.

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

Monday, March 30, 2020

Social distancing

No words necessary. The whole world understands

Social Distancing #1 (drawing 6" x 4")

Social Distancing #2 (drawing 6" x 4")

The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières. I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.

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