The sheer stress of semi-rigid pieces moving, creating a breach, a crack, a cleft, an abyss.
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| 2019 (canvas 20" x 16") |
It is broken.
Tuesday, December 17, 2019
Crevasses
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Thursday, November 14, 2019
Convergence, the canvas
Convergence and perception with a touch of concentration; cold water sinking in its density.
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| 2019 (canvas 22" x 28") |
Ocean currents meet with visible air-flows - perhaps it is a false start.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, September 29, 2019
Easy Separatio n
Hard reunion.
Things do fall apart (ap art)
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, August 11, 2019
It's all about horizons
The horizon line -- the one that separates the earth from the sky is not real. It is not a real line that is.
We move towards it, and it retreats before our eyes. We capture it much the way we would capture the wind -- in the offing, always just about to happen.
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| The Playful Dunes: Clear Horizon, 2018 (24" x 24" canvas) |
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| The Playful Dunes: Shifting Horizons, 2018 (12" x 16" canvas) |
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| The Playful Dunes, a study, 2016 (15" x 11" paper) |
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, June 30, 2019
Retrospective on a June walk
I walked through the neighbourhood late one beautiful June afternoon. On the way I saw an empty space where once a tree had grown. All that remained was a circle of dirt in a green lawn. The tree removal people had been there -- indeed the tree removal people had been all along that street. Not even a stump or a root left - extracted like so many bad teeth. This tree though was the inspiration for my 2009 Urban Tree.
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| Acrylic on paper (30" x 22") |
I will remember it fondly.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Thursday, June 20, 2019
Centre or Centered?
Centre of the Universe or centered on the Universe - small change makes a large difference.
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| LMould 2019-May-28 (10x8) |
It is an all absorbing process.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, May 25, 2019
Flowing Confluence
One point; a coming together, a gathering and then dispersal.
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| 2014-19 canvas, 24" x 20 |
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Friday, April 19, 2019
Potential, and Potentiality.
The blank canvas, the white page, the empty walls all shout "Potential"
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| Drawing, LMould 2019-February-7 (ink 5.5 x 4.25) |
I shout back, "Challenge, nothing more".
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, April 14, 2019
Message in a Bottle
Drawing LMould 2019-March-4 (ink 8x2.5)
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| Drawing LMould 2019-March-5 (ink 8x2.5) |
Two variant expressions floating in their own spaces. The center holds.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, March 16, 2019
Hesitation
Your pen cannot hesitate -- unless you make a mistake that works in your favour.
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| Mixed-media (6" x 4") |
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Tuesday, March 12, 2019
Tension in the Lines: Control is an Illusion
I pursue the abstracted volumes of control.
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| Ink drawing (5.5"x4.25") |
But control is an illusion, I'm sure of it.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, March 2, 2019
Warrior in Motion
A warrior engaged in struggle in an age of grace and finesse.
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| Mixed-media, paper and ink (6" x 4") |
We all fight battles of one sort or another.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, February 9, 2019
Impromptu
The title belies the form and the composition.
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| (mixed-media 6" x 4") |
It appears improvised; it appears extemporaneous, and in a way this is true.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Sunday, January 27, 2019
Earth Rising
In ascendance, be confident!
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| Earth Rising, (2018 Sept. 6) 6"x4" |
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
Saturday, January 5, 2019
Morning Meditations in December
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| (Mixed-media, 2017-Dec-23) |
In studio #2
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| (Mixed-media, 2017-Dec-24a) |
before dawn,
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| (Mixed-media, 2017-Dec-24b) |
at the break of day,
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| (Mixed-media, 2017-Dec-22) |
And, early morning.
The landscape features most prominently in the body of my work. It is a landscape of suggestion, rather than a faithful figurative rendering; it is a landscape of fiction and abstraction. Major influences on my work have been the Canadian landscape, the tropical forest of the Congo and the land of the Mediterranean/Middle East. Born in Exeter, Ontario,I studied at the University of Prince Edward Island, McGill University in Montreal and the Université du Québec à Trois Rivières.
I always ask one question; when does the unconventional become so utterly conventional as to become uninteresting - dull in fact? I hope these are not dull whatever else they are. Let me know what you think.
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